Tuesday, August 23, 2011

Canon 1D Mark IV Cinema Package









EOS HD movie with manual exposure control and multiple frame rates (1080: 30p (29.97) / 24p (23.976) / 25p, 720: 60p (59.94) / 50p, 480: 60p (59.94) / 50p) - The EOS-1D Mark IV captures video with all the benefits of shooting with an EOS digital SLR. The HD recording area on the EOS-1D Mark IV is approx. 27.9mm x 15.7mm, similar when compared to the 24.89 x 18.65mm recording area of Super 35 motion picture film. By shooting video with a large sensor camera, photographers as well as videographers can take advantage of the creative features native to SLR photography. Along with its manual controls, the EOS-1D Mark IV allows for full use of Canon EF lenses, including wide angle, macro, super-telephoto, tilt-shift lenses and fisheye, providing a wealth of depth-of-field and other creative shooting options once reserved only for still photography. The resulting HD video is a standout in its stunning depth-of-field characteristics, remarkable capture capability under poor lighting conditions with its vast ISO range, and deep clean blacks with nearly undetectable noise.

When shooting HD video in AE modes, the EOS-1D Mark IV employs Center-Weighted average metering to help ensure stable motion-picture exposure with the camera automatically selecting the ISO speed, shutter and aperture. Full manual exposure control is also available while shooting video when the camera is set to Manual mode.

Video can be captured at 1920 x 1080 resolution at frame rates of 24 (23.976), 25 or 30 (29.97) frames per second, for up to 4GB per clip. Movies are saved as MOV files and can be viewed in Full HD with HDMI output. Other recording sizes include HD at 1280 x 720 (50/60 (59.94) fps) or SD/VGA at 640 x 480 (50/60 (59.94) fps). The EOS-1D Mark IV has a built-in microphone for simple mono recording and stereo sound can be recorded through a self-powered external microphone.

16.1 Megapixel APS-H CMOS sensor and Dual DIGIC 4 Image Processors for high image quality and speed - The EOS-1D Mark IV features a high-resolution APS-H sized 16.1 Megapixel CMOS sensor (with a focal length multiplier effect of 1.3x) and Dual DIGIC 4 Image Processors that can process images at full resolution continuously up to 10 frames-per-second. The combination of the CMOS sensor and Dual DIGIC 4 Image Processors help to ensure smooth, detailed and refined images that are recorded quickly, accurately and reliably. This impressive combination of speed, quality and performance will make the EOS-1D Mark IV a staple among many professional photographers, including sports photographers, and a familiar sight on the sidelines of professional sporting events.

10.0 fps continuous shooting up to 121 Large JPEGS or 28 RAW using a UDMA CF card - The EOS-1D Mark IV’s rugged, high-speed shutter can shoot up to 10.0 frames per second (fps) for up to 28 consecutive RAW files or 121 full-resolution JPEGs when used in conjunction with UDMA (Ultra Direct Memory Access) Mode 6 CF cards. The EOS-1D Mark IV’s spectacular new 45-point high-speed AF sensor locks on and maintains focus, ensuring that the camera keeps up with its amazing shutter.
3.0-inch ClearView II LCD monitor, 160° viewing angle, 920,000-dot VGA, reflection resistance with multi coating and high-transparency materials for bright and clear viewing - The EOS-1D Mark IV features the finest Canon LCD screen to date (October 2009): the new, high-resolution, 3.0-inch ClearView II VGA LCD has 920,000 dot resolution and provides a new level of clarity and sharpness with a 160° angle of view. Its performance is admirable, not only in confirming focus and composition, but in composing and shooting in Live View mode, or when shooting video. It features a tempered glass protective cover with an anti-reflective film and a new resin filling between the actual LCD and glass cover that helps minimize internal reflections and further improves visibility in bright viewing situations. During image playback, pressing the illumination button displays an LCD brightness screen, so brightness can be adjusted quickly and easily.


Sunday, August 21, 2011

ARRI ALEXA DTE-SxS Pro 35 Format Film-style Digital Camera




The ARRI ALEXA EV Digital Cinema camera is designed for broadcast, motion picture and commercial applications. Using the new ALEV III Super-35 sized CMOS Bayer-pattern sensor, the ALEXA is capable of 1920x1080 HD outputs as well as 3.5K Uncompressed RAW. ALEXA shoots 1-60fps with a base sensitivity of 800 ISO and 13.5 stops of Exposure Latitude. It can record in ProRes via internal hot-swap SxS cards, or output Uncompressed HD-SDI or ARRIRAW.

The unique construction of the ALEXA  allows for various output signals to be generated, accommodating diverse production needs and pipelines.

ALEXA can simultaneously record Apple QuickTime/ProRes files, output uncompressed HD video or uncompressed ARRIRAW data. This output versatility makes it ideal for a myriad of productions and workflows from television series to feature films.

As the best recording media for the QuickTime/ProRes files, ARRI has chosen SxS cards because of their high data throughput. Two SxS cards fit into a module on the camera's left side for convenient on-board recording and are hot swapable.

Two outputs which can be configured to 3G or 1.5G HD-SDI deliver an uncompressed high definition video stream with various options such as recording in 4:2:2 or 4:4:4 and ITU Rec709 or Log C tone mapping and color matrixes.

Key Features:

3.5K CMOS Imager

Produces sharp and clean 2K or 1920 X 1080 HD images

800 EI Base Sensitivity
Captures striking images on night shoots and in low-light conditions (camera can be rated from ISO 200-ISO 1600 while maintaining excellent signal to noise performance)

Direct to Edit
Allows immediate access into post

Natural Color Rendition
Gives rich, vibrant pictures and pleasing skin tones

Excellent Color Separation
Makes compositing effortless

Very Low Noise Guarantees
Beautiful results, even on the big screen

Easy and Widely Accessible Workflows
Allows the use of best proven, existing technology

13.5 Stops of Latitude

Helps capture every detail, from the brightest highlights to the darkest shadows
Details

Camera Type:
35 format film-style digital camera

Sensor Type:
35 format ALEV IIICMOS

Aperture: 
Mode / Aspect Ratio / Pixels
HD and ARRIRAW outputs / 16:9 / 2880 x 1620
Monitoring with surround area / 16:9 / 3168 x 1782

Lens Mount:
PL mount. Options for Canon, Nikon

Frame Rate:
0.75 – 60 fps

Shutter:
Electronic shutter, 5.0 to 359.0

Exposure Index:
800 EIbase sensitivity

Exposure Latitude:
> 13 stops

Sound Level:
< 20 dB(A)

Power:
12 or 24 V DC

Weight:
6.2 kg/13.7 lbs body only
6.9 kg/15.2 lbs body, viewfinder, mounting bracket and cable

Viewfinder:
ARRIElectronic Viewfinder EVF-1

In-camera Recording:
Apple QuickTime/ProRes 4:2:2 (HQ) or QuickTime/ProRes 444 HD files with embedded audio and metadata, recording to 2x SxS 32GB memory cards
20 min 422HQ
15 min 4444
Recording Outputs:
Uncompressed HD video or uncompressed ARRIRAW with embedded audio and metadata

THE ACTION MOVIES YOU MUST SEEN

 1.  Drive (2011) 
2.  Inception (2010)        
3.  The Dark Knight (2008)           
4.  Star Wars: Episode V - The Empire Strikes Back (1980)             
5.  The Lord of the Rings: The Return of the King (2003)
6.  Star Wars: Episode IV - A New Hope (1977)   
7.  The Lord of the Rings: The Fellowship of the Ring (2001)        
8.  Raiders of the Lost Ark (1981)             
9.   The Matrix (1999)     
10.  The Lord of the Rings: The Two Towers (2002)           
11.  Terminator 2: Judgment Day (1991)               
12.  Saving Private Ryan (1998)
13.  The Treasure of the Sierra Madre (1948)     
14.  Das Boot (1981)      
15.  Aliens (1986)           
16.  The General (1926)               
17.  Yojimbo (1961)       
18.  Braveheart (1995)  
19.  Gladiator (2000)     
20.  Ran (1985) 
21.  For a Few Dollars More (1965)          
22.  Star Wars: Episode VI - Return of the Jedi (1983)     
23.  Indiana Jones and the Last Crusade (1989)
24.  Die Hard (1988)       
25.  Elite Squad 2 (2010)      
          

Thursday, August 18, 2011

TOP 25 ROMANTIC FILMS

                     1.       Casablanca (1942)
               2.       Rear Window (1954)
               3.       Forrest Gump (1994)
               4.      City Lights (1931)
               5.       North by Northwest (1959)
               6.       Vertigo (1958)
               7.        Modern Times (1936)
               8.        Amélie (2001)          
               9.         Life Is Beautiful (1997)
              10.       Eternal Sunshine of the Spotless Mind (2004)
              11.       The Apartment (1960)
              12.       Singin' in the Rain (1952)
              13.        The General (1926)
              14.       The Big Parade (1925)
              15.       Sunrise: A Song of Two Humans (1927)
              16.       Scenes from a Marriage (1973)
              17.      Rebecca (1940)
              18.      The Girl with the Red Scarf (1978)
              19.      A Brighter Summer Day (1991)
              20.       It Happened One Night (1934)
              21.      Safety Last! (1923)
              22.      The Best Years of Our Lives (1946)
              23.      The Gold Rush (1925)
              24.      The Best of Youth (2003)
25.     WALL·E (2008)

Wednesday, August 17, 2011

GY-HM790U



The GY-HM790U is a modular HD camera with solid state recording capability as well as studio functionality. It was developed to address the needs of modern broadcast and production facilities offering the highest level of HD picture quality in both 1080i and 720p formats. Whether used on the shoulder for electronic newsgathering, field production, or as a primary studio camera, the GY-HM790U is everything that a broadcast camera should be.
GENERAL
·         Patented 3-CCD optical system provides full HD resolution images
·         4:2:2 processing
·         Built-in Genlock
·         1080i / 720p / 480i multiscan
·         Industry standard bayonet lens mount
·         JVC offers a wide range of lenses and accessories
·         HDSDI output
·         Can also provide downconverted SDI output—live or playback.
·         Patented Focus Assist function
·         Extensive image customization modes (gamma, matrix, knee, detail, etc.)
ENG / FIELD PRODUCTION
·         Compact Shoulder form factor
·         Records to dual hot swappable SDHC memory cards
·         Professional recording with selectable data rates up to 35Mbps
·         1920 x 1080 (1080p24/p25/p30, 1080i60/i50)
·         1280 x 720P (p60/p50/p30/p25/p24)
·         SD recording capability (DV data format>
·         Native file recording—world's fastest shoot-to-edit workflow.
·         Native Final Cut Pro format
·         Edit immediately without conversion or transcoding
·         .MP4 file format
·         Compatible with most popular editing systems
·         Pool feed input (analog SD)
·         Time code IN/OUT
·         High resolution (1.22 million pixel) Liquid Crystal on Silicon (LCOS) viewfinder
·         Large (4.3-inch) flip-out LCD monitor
·         Pre Rec (retro cache up to 20 seconds) function prevents "missed shots"
·         Variable frame rate recording (over crank, under crank)
·         Built-in clip viewer and management system
·         Uncompressed LPCM audio (2ch) recording
·         Manual level controls with audio meter
·         XLR inputs with phantom power
·         Optional ASI output module
STUDIO OPTIONS
·         Sturdy, sleek studio housing (sled)
·         Large lens support
·         High resolution 8.4-inch Studio Viewfinder
·         26-pin Multicore Module
·         Fully featured multicore CCU
·         Local Remote Panel (shader)
·         Fiber Remote Module
·         Wide range of lenses and lens accessories

Monday, August 15, 2011

EOS 5D MARK II

 High Performance for High Expectation
Canon's update to the wildly popular full frame EOS 5D is here, and it's better than ever. The EOS 5D Mark II has a stunning 21.1-megapixel full-frame CMOS sensor with DIGIC 4 Image Processor, a vast ISO Range of 100-6400 (expandable to ISO L: 50, H1: 12800 and H2: 25600), plus EOS technologies like Auto Lighting Optimizer and Peripheral Illumination Correction. It supports Live View shooting, Live View HD videos, and more. It can shoot up to 3.9 fps, has 9 AF points plus 6 AF assist points, a new 98% coverage viewfinder, a 3.0-inch Clear View LCD (920,000 dots/VGA) and a rugged build. Full-frame shooters rejoice!

Sunday, August 14, 2011

PANASONIC AK-HC931B





The AK-HC931B is a versatile, multi-format HDTV studio camera system. The studio/EFP camera delivers pristine HD images in both 1080i and 720p formats and offers easy switching between the formats right in the camera menu. This flexible camera offers 2/3" 3-CCDs to deliver 1 million-pixel (1280 x 720) progressive scan resolution, advanced digital signal processing (DSP) and analog-to-digital conversion circuits with 38-bit internal processing. The camera system also provides superb 480i standard definition images (option).

The AK-HC931B studio camera system can be configured for either studio or hand-held use and comes standard with a bayonet lends mount.